poc-creators:

fuckyeahwomenfilmdirectors:

Top 10 films of 2018

  1. You Were Never Really Here dir. Lynne Ramsay
  2. On Body and Soul dir. Ildikó Enyedi
  3. Private Life dir. Tamara Jenkins
  4. The Kindergarten Teacher dir. Sara Colangelo 
  5. Little Forest dir.  Yim Soon-rye 
  6. Leave No Trace dir. Debra Granik 
  7. Revenge dir. Coralie Fargeat
  8. Vazante dir. Daniela Thomas
  9. I Think We’re Alone Now dir. Reed Morano
  10. I Am Not a Witch dir. Rungano Nyoni

Honourable Mention:

Blockers dir. Kay Cannon, The Rider dir. Chloé Zhao, Shirkers dir. Sandi Tan, Skate Kitchen dir. Crystal Moselle, The Spy Who Dumped Me dir. Susanna Fogel

Reblogging, some of the women filmmakers are also women of color telling important stories about girls and women of color!

tomatomagica:

“Animal Crossing, The Sims, and Minecraft are all worldwide sensations made by what one would now consider to be AAA companies, and yet, since not one of these games has violence as a core mechanic, each and every one of them has been criticized as not being ‘game-y’ enough. The fact that the same criticism is levied at so-called ‘casual games’ and ‘casual gamers’ reveals a link between the two: games that don’t include violence as a core mechanic are perceived by the community as being fundamentally more feminine than games that do. Games with women-majority audiences, women-majority casts, and women-majority dev teams are frequently lumped in with this kind of critique. Violence, goes the logic, is what makes a game masculine—and, by extension, being masculine is what makes a video game a video game.”

Fight Club: How Masculine Fragility Is Limiting Innovation in Games | FemHype
(via femhype)

(via stopdisrespectingculture)

oaj:

“My husband is a good man, and a good feminist ally. I could tell, as I walked him through it, that he was trying to grasp what I was getting at. But he didn’t. He said he’d try to do more cleaning around the house to help me out. He restated that all I ever needed to do was ask him for help, but therein lies the problem. I don’t want to micromanage housework. I want a partner with equal initiative. However, it’s not as easy as telling him that. My husband, despite his good nature and admirable intentions, still responds to criticism in a very patriarchal way. Forcing him to see emotional labor for the work it is feels like a personal attack on his character. If I were to point out random emotional labor duties I carry out—reminding him of his family’s birthdays, carrying in my head the entire school handbook and dietary guidelines for lunches, updating the calendar to include everyone’s schedules, asking his mother to babysit the kids when we go out, keeping track of what food and household items we are running low on, tidying everyone’s strewn about belongings, the unending hell that is laundry—he would take it as me saying, “Look at everything I’m doing that you’re not. You’re a bad person for ignoring me and not pulling your weight.” Bearing the brunt of all this emotional labor in a household is frustrating. It’s the word I hear most commonly when talking to friends about the subject of all the behind-the-scenes work they do. It’s frustrating to be saddled with all of these responsibilities, no one to acknowledge the work you are doing, and no way to change it without a major confrontation. “What bothers me the most about having any conversation around emotional labor is being seen as a nag,” says Kelly Burch, a freelance journalist who works primarily from home. “My partner feels irritated and defensive by the fact that I’m always pointing out what he’s not doing. It shuts him down. I understand why it would be frustrating from his perspective, but I haven’t figured out another way to make him aware of all the emotional and mental energy I’m spending to keep the house running.””

Stop Calling Women Nags — How Emotional Labor is Dragging Down Gender Equality (via thatdiabolicalfeminist)

Men, if these ideas are new to you, here’s a whole thread to introduce you to some of the work that’s been invisibly done for you when you’ve lived with women, and the way it affects women to have to do it alone. I recommend working through it at your own pace and challenging the defensiveness as it crops up to block your view.

If you make a genuine effort to learn from this and to start taking back some of this work, you’re going to see a slow but drastic improvement in your understanding of and relationships with the women in your life.

(via thatdiabolicalfeminist)

onetwo-t:

“On Josie Webb’s thirteenth birthday, her aunt gave her a book that changed her life. It was a volume of Maya Angelou poems. After Josie read “And Still I Rise”, she knew she didn’t want to be a…a ballet dancer, or a nurse; she wanted to be a poet. So, it was a proud day when she graduated from Hillman with a degree in English Literature in high honors. That was the spring of 1992. But the following spring, Josie Webb has died of Acquired Immune Deficiency Syndrome: the disease we all know as AIDS. 

I didn’t get AIDS from a blood transfusion, or by doing drugs. I got it by having unprotected sex with my boyfriend junior year in high school. I knew Frank was smart, fine, team star quarterback. Neither of us knew he was HIV positive. Lying in the grass on a humid night, looking up at the stars, you just know you’re going to live forever. Lying in the grass, it’s impossible to imagine that 5 years later you’ll be lying in a hospital bed with pneumocystis pneumonia and a few years to live. Nothing like an AIDS ward to teach you that youth is not immortality. More than anything, youth is the power to make choices. Now that I’m gone, I ask one thing of you. Remember always to choose life.” 
-Tisha Campbell guest-starring as a student living with AIDS. 

In an interview on Oprah’s “Where Are They Now?,” director Debbie Allen revealed that the episode was almost pulled from the air (due to several advertisers dropping out). However, years after the episode’s original air date, the series was praised for being one of the first to publicly tackle the subject and foster an open dialogue about the epidemic. (x)

Powerful. 

(via thetattedstoner)